Concrete

Terrenz Chang 張惠淳

視覺傳達設計師,劇場範疇的平面設計作品包括:香港演藝學院《群盲》;一條褲製作《同行尋光》、紀錄劇場節;香港戲劇協會《兒嬉2020》;第二十九屆香港舞台劇獎;愛麗絲劇場實驗室《香港三姊妹》;進劇場《時光》、《「島物詩游」也斯進劇場》;香港戲劇創作室《迷鳥》;浪人劇場《心林》;香港話劇團國際黑盒劇場節2016;藝堅峰《Show名係最難諗㗎!》;前進進戲劇工作坊《醜男子》;和加藝劇院第一屆及第二屆加藝太平洋藝術節等。

舞台/場境裝置設計包括:愛麗絲劇場實驗室《朝卡夫卡的聖》;再構造劇場《發光的害蟲》;進劇場《樓城2015(立夏版)》、《玩偶之家》;不加鎖舞踊館《牆四十四》三部曲。

服裝設計包括:進劇場《等待果陀》和前進進戲劇工作室《後殖民食物與愛情》。 

Visual Communications Designer, her graphic works for theatre productions include The Hong Kong Academy for Performing Arts' The Blind, Pants Theatre Production's Together, in Search of Light and Documentary Theatre Festivals, Hong Kong Federation of Drama Societies' Luna Gale 2020, the 29th Hong Kong Drama Awards; Alice Theatre Laboratory’s The Hong Kong Three Sisters; Theatre du Pif’s Seed 2020, Hong Kong Poetica; Hong Kong Dramatists' Stragglers; Theatre Ronin's Nature; Hong Kong Repertory Theatre's International Blackbox Festival 2016; Art Peak's Title of Show!; On & On Theatre Workshop's The Ugly One; Gateway Theatre's the First and Second Gateway Pacific Theatre Festival.

Terrenz also design stage set and site-specific installation, including Alice Theatre Laboratory's A Pilgrimage to Kafka; Reframe Theatre's Radiant Vermin; Theatre du Pif's The Will to Build 2015, A Doll's House; and Unlock Dancing Plaza's Walls44 Trilogy.

Her costume design works include Theatre du Pif's Waiting for Godot and On & On Theatre Workshop's Postcolonial Affairs of Food and the Heart.